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The "Aliens and Predators as part of the same universe" idea is only because of an FX set-dresser's joke, really.
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#2
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I'd heard that there was a graphic novel pitting Aliens and Predators against each other.
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“We’re not innovating. We’re selectively imitating.” June Bernstein, Acting President of the University of Arizona in Tucson, November 15, 1998. |
#3
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Graphic novels, novels and, of course, two films.
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#4
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The films, I've heard, were the result of the popularity of the graphic novel.
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“We’re not innovating. We’re selectively imitating.” June Bernstein, Acting President of the University of Arizona in Tucson, November 15, 1998. |
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I think you're right there. I read at least the first (non graphic) novel and it was actually pretty good.
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#6
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There's several; Dark Horse Comics traded in a lot of AvP cachet back in the 90s when we were all expecting an Aliens sequel at any time - to the point of publishing a sort of "continuing adventures of Newt, Hicks and Ripley". of course when A3 washed all that away, later TPBs of that series retconned the names of the little girl and the marine, adding some new information about Ripley being cloned and bonding with the girl and the Hicks replacement due to their similarity to Hicks and Newt. But what I said about the entirety of the AvP crossover being a set-dresser's joke is the truth. The "xenomorph" skull that appears just briefly in the Predator's ship in AvP2. |
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Sure, that was the origin of it all, but what's done is done. Film makers rolled with it, they made the Aliens vs Predator films, and now its established canon. And I for one think it's an excellent mix. I think it's very sad that Ridley Scott has nothing but contempt for the crossover canon.
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#8
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Forward: Targan, I am not having a shot at you, I've been reading a lot of people's comments on Prometheus and there's a whole lot of haters out there. My comments are aimed at them in general.
As far as I know, Scott didn't say he had contempt for the AvP material, he just said that the two didn't mix. AvP was made simpy as a money maker for Fox, it has it's origins with Dark Horse wanting to make money out of the notion, just like the other comic crossovers like Batman vs. Superman or the old Universal Studios horror movies with Frankenstein versus Wolfman versus Dracula and so on. They may exist but it doesn't mean they are canon. What started as a set-dressers little in-joke has been taken to heart by many but none of the film makers associated with the original Alien or Predator movies seriously considered doing a crossover. Dark Horse saw a way to make money and Fox picked up on it, it wasn't a film makers decision but a studio execs decision. James Cameron had been working with Scott at one point to make further Alien movies and for various reasons and their other work, they didn't push ahead with it. Cameron was approached by Fox to continue the project and while he was interested, Fox wanted a money maker and suggested that the Predators be thrown in to make it more exciting. Cameron said no because it destroys the integrity of both the Alien and Predator movies. Fox, seeing the chance to make a crowd pleaser and hence make lots of money, called Paul W.S. (Waste of Skin) Anderson in to make the AvP movie. I've seen the first AvP movie and was not impressed, the leaps of logic and the lack of common sense displayed by the characters echoes all the criticisms that people throw at Prometheus. For example, one guy in the AvP movie decides that because (allegedly) the earlier civilizations used a decimal maths system, that the pyramid the characters are trapped in will change configuration every 10 minutes. Excuse me, what? That's a leap of logic so wide even Evel Knieval couldn't cross it. It stuns me that people will critize Prometheus because they claim real scientists don't act like that or the science doesn't make any sense or the characters did stupid things but Peter Parker can get bitten by a radioactive spider and suddenly climb up vertical surfaces and that's perfectly acceptable. I work with "real scientists" (chemists, geochemists, geologists, geographers) and some of them are f**king morons, very smart in their selected field but completely stupid at real life. I've watched them drop cyanide powder and then stand around for minutes wondering what to do, I've watched them get sulphuric acid on their gloves then scratch their head then later complain that their head is itchy. Scientists are just like normal people and prone to all the same emotions and stupidities that normal people have. And in some cases they're worse. After all is said and done, Prometheus is just a movie, not real life. It's a mythological tale of horror set against the backdrop of science fiction and it replicates, in fact parallels, the Alien movie, in some cases using exactly the same cinematography and music score. It's up to the individual what they get out of the movie but there is a lot more going on in this movie than can be seen on the surface. Last edited by StainlessSteelCynic; 06-12-2012 at 08:13 PM. |
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Last edited by Targan; 06-12-2012 at 08:50 PM. |
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SSC, I'd like to thank you for pointing out the link between Prometheus and At the Mountains of Madness. I am reading it now, for the first time, and it's readily apparent how many other authors and movie makers have drawn upon it for inspiration. I bought a big tome of collected Lovecraft stories a year or so ago, read a few of them (including the Call of what's-its-face that is so influential) and then put it back on the shelf. I wouldn't have thought to pick it up again if it weren't for you.
I don't agree that Prometheus is a b-movie. Perhaps I have a different understanding of what a b-movie is. To my mind, it's a very low-budget effort with minimal or nonsensical story and generally poor acting. I don't think Prometheus met any of those criteria. I liked the first Predator film (now there's a b-movie, at least acting-wise), but I was 15 or so when I saw it the first time. I was 16 or 17 when I saw the sequel and I didn't particularly care for it. I also didn't much care for the third Aliens film and the fourth one, IMHO, was complete rubbish. In the right hands, I think the two universes could coexist quite well. From what little I've seen or heard, the first two attempts fell far short of the mark. I will confess that I haven't seen any of the AvP movies. Judging purely by the previews, I figured they would all be wastes of time and money and tarnish the fond memories that I have of Aliens, a film I loved as a teenager (I must have seen it at least 30 times by now), and still really enjoy.
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Author of Twilight 2000 adventure modules, Rook's Gambit and The Poisoned Chalice, the campaign sourcebook, Korean Peninsula, the gear-book, Baltic Boats, and the co-author of Tara Romaneasca, a campaign sourcebook for Romania, all available for purchase on DriveThruRPG: https://www.drivethrurpg.com/product...--Rooks-Gambit https://www.drivethrurpg.com/product...ula-Sourcebook https://www.drivethrurpg.com/product...nia-Sourcebook https://www.drivethrurpg.com/product...liate_id=61048 https://preview.drivethrurpg.com/en/...-waters-module |
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Ironically At the Mountains of Madness has been cited (in the AvP Wikipedia article) as being a major influence on the first Aliens vs Predator film. Raellus, the first Alien vs Predator film is worth watching. I remember being particularly struck by the founder of Weyland Corporation having Bishop's face (well vice versa really). That was an awesome touch IMO.
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#12
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You're most welcome. I've been a minor fan of Lovecraft's horror for some time and I'm constantly surprised (and often very happy) to find how much influence his writings had on latterday writers or movie makers. It's part of the reason I've gotten in so deep with the Alien movies along with the Evil Dead, Reanimator, The Thing, Prince Of Darkness and In The Mouth Of Madness movies amongst others.
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#13
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Within a given film, though, there ought to be some internal logic that goes beyond advancing the plot and creating the types of scenes that define the genre. “AvP” is a perfect example of a film that revolved around creating a handful of fanboy-type scenes and shitcanned the integrity (if such a word is appropriate) of its source material by so doing. I’ve always disliked the “Superman v Batman” stories because they are more a reflection of idle discussion taken too seriously and punctuated by the occasional “Dude, don’t bogart that” than an attempt to tell a good story. Many of the characters of “Prometheus” behave as though they are in a very different context. I would be willing to entertain the idea that the underlying message is that human beings are basically fools. This, however, seems inconsistent with the underlying message of “Alien” and “Aliens” that human beings suffer as a result of decisions made by leaders who have serious flaws. Still, one needs to get what one needs to get from a film. I love “The Wrath of Khan”, but in reality the whole Star Trek universe is silly. The best that can be said is that a) everything shown is a metaphor adapted to its audience and b) when it’s at its best, internal logic is pretty good. When it’s at its worst, internal logic can be pretty shoddy.
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“We’re not innovating. We’re selectively imitating.” June Bernstein, Acting President of the University of Arizona in Tucson, November 15, 1998. |
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I haven't seen Prometheus yet, but I plan to. (I'm not concerned about spoilers either, already looked it up on the internet). I ended up seeing the #1 movie in America the past weekend.
Anyone here a fan of the American TV show Lost? One of the creators of Lost is the screenwriter who edited the original script. If you've watched Lost, you will know there were a lot of plot twists and unresolved questions. I can see why there were a lot of mixed reviews, as I think a lot of people were expecting something similar to Aliens. btw my comment about Prometheus being released early in Europe because of "some soccer tournament" was supposed to be a sarcastic type comment about the stereotypical American who doesn't pay attention to anything outside the USA. ![]() -bdd |
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